LETHE
here— all along the path
lead me
as if each step could do more than amplify
the silence you left for me
look— how the grass bows a slow
gravity —dislocated
footfall after
footfall after
how the river runs
to your body runs
headwaters welling from every fracture
already
i am forgetting
how to pronounce your name
my good-for-nothing tongue plumbs
your good-for-nothing mouth
—mud-choked
estuary split open with seed
those gardens that will never be
birds come with their hunger
and i let them—
because the berries are too red
because secrets are graves and i’m tired
of digging
there are other ways to make a body sacred
hoofprints measure
the width
of every field
and i follow
simple as that—
what does it matter if the dreams are wordless?
if i am visited by ghosts or if
i have become one?
SELF PORTRAIT AS CIRCUMFERENCE & CROWS
for months after i dream
of sawing circles
out of ice allow myself
fall through
since i outgrew my last body
winter arrives one black bird
at a time & the snow
ghosting into my memories
no matter how
i hold them
don’t tell me it’s only october
that i have no sense of direction
each day i gather in the rafters
of every conversation
strange-voiced as a god
distrusting
the construct of god
the idea that healing is possible
if i am to make you believe in
me i must retrieve my body
walk across the water
of a crow’s eye
to find
the blackhole at its center
to learn the art of undrowning
IN WHICH I BECOME THE WANING CRESCENT MOON
all night entranced i watch my back
undress mirror into
mirror my scarlet mole a tiny hole through
my heart there breaths fatten like wax bead onto
sheets room soft with the opposite of
candlelit where nothing
touches me
i crumble
where nothing touches me my magnetic field
erratic and weak admits all
manner of dark matter i draw back
along an involuntary muscle immune to
stillness and gravity one ear
brimming with silver one eye a field
of milkweed
i do not mean to
haunt myself but i do linger
in this disintegration loop with minutes
gathering ponds in my palms
with my face eclipsed in a shard
of dinner plate which i rise to find
moon after moon which i run from
circling wolfish
for the bitterness of my own fingers
in my mouth
Laurel Roth
Laurel Roth (she/they) is a queer poet from Albuquerque, New Mexico. She holds an MFA from Colorado State University where she worked as an editorial assistant for Colorado Review. Their work has appeared in Passengers Journal, they have attended Tin House, Aspen Words, and the Bread Loaf Environmental Writers' Conference, and they are currently pursuing a Certificate in Climate Change.
Hailey Renee Brown
Hailey Renee Brown (Ren) is a professional illustrator born and raised in Mid-Michigan. A former field biologist, they moved across the country from Michigan to Pennsylvania, also moving from science to commercial art. A professionally trained artist, they attended the Joe Kubert School of Cartoon and Graphic Art in Dover, NJ, where they were selected as the recipient of the 2017 Norman Maurer Memorial Award as well as the 2019 Joe Kubert Jumpstart Project. They have since worked for a variety of clients from Dark Horse Comics and Dynamite Entertainment to the Brink Literacy Project.