Words By Jessie Wingate, Art By Hailey Renee Brown
Daytona Beach Babies
Ladies’ Night was Wednesday night.
I was a teen wearing the heat like charmeuse;
my rhinestone decolletage not far removed from
games of Pretty Pretty Princess and Ring Pop richness.
How do fifteen years look,
all dressed up in patent anticipation?
Rappelling from windows like Rapunzel’s lust, two girls
escaped plain homes to walk toward a sequined strip.
We waited outside Razzle’s, whispering
Can I have your bracelet? to passersby,
pilfered paper wristbands to vouch for legal age.
Men said yes, smiles laced with knowing.
We fixed our wrists in paper cuffs
sealed with bubble gum. Tits up for the bouncer.
Sheer surprise at entry. Flash of wrist to the bartender:
I’ll have a Sex on the Beach, sunset-colored drink
with the naughty name that felt like power on my lips.
We sat steps from the ocean. Shimmying silky pony hair
and laughing like chimps. Imping the cool girls,
the college girls, even them, barely skirting twenty-one.
Together we danced on go-go stages, hanging,
small cages for the display of pretty birds like us.
We already knew how to move, how to grind
our diamond belt buckles against the bars.
When we descended to the dancefloor, a ballroom if ever
we’d known one, the men materialized in Marlboro clouds.
Our lips tied in bows, we ribboned together for safety.
But each hip thrust, each sip of ether, pulled us a little looser
until we hung askance, stringy and stupid. We imagined
it was us, holding the keys to the castles between our ears.
We didn’t know better, couldn’t yet grasp
the jeweled boxes of women
whose hinges and clasps were broken and forced open.
Force: hadn’t occurred to us yet,
children plumped on American Dreams,
tender foie gras goslings.
When they crushed their dicks against us
and corseted us in touch; squeezing and rubbing,
churning and shoving, we wondered:
Is this love?
Married on the Eve of Destruction
The roses here are like pomegranate seeds,
ruthlessly carnal and hopelessly tinged
with the scent of the dead.
The soil they grow in is leaden, fungicide
paints each head. The flower smell is bred out
in a hedge for longevity.
How did this bloom that wreaths collective
memory in sparking thorn and throbbing petal
become mostly poison? Our apples
have met a similar fate,
vitamins and minerals bolting
at downshot rates, revolting from the flush.
Calcium, Iron, Phosphate:
Bone, Blood, Soft Tissue—
What greater issue? If the blocks are lost,
how will our bodies build?
After my vitals succumb, I will be spirit
only, a scythe of the new moon.
So much has already been cut away
from my crooning fingers, which reach to grasp
a meager scrap of fragrance, flavor, feeling.
To hold those things like a yawn before thick sleep.
When I go under, my wraith will rake the leaves
of you, unearth the time we ate apple crumble
hiding in the thicket of my grandmother’s rose
bushes, that walled-up garden where the thorns
cut my back and your knees and nothing bloomed
but us, despite the stoniest winter.
Sufficient to Destroy a Man
Behind the Manna of St. Nicholas
she veiled a means of escape
brought by belladonna,
a clear champion of beautiful women
(and aren’t we all beautiful)
pressed into a bottle, for ugly skin
(and aren’t we all ugly).
For their cheeks that bloomed with
bruises, nebulae forewarning the birth
and death of stars, rouged with an
atmosphere of long-waves and shaking
with volcanic activity, molten in rivers
and canyons cracked between their ribs.
These women knew the different
kinds of burn: spark, rage, smolder, rain.
Degrees of damage done by ravaging,
ravishing lips in red, their words lined in
the color of blood. The head bleeds so
much, the mouth heals so fast. The throat
is always covered when in public. The back
of the neck exposed when in the home.
Guiliana T. made a pretty bottle, named
for her sake, Aqua Tofana (Storm Water).
Would it soothe the skin and disappear
the damage? Or could it make the water rise,
take them to that deep and sleeping place,
the foam lapping their lips, the sky’s
eyes closing—finally offering the rest—
with which the moondrunk night is blessed.
Jessie Wingate
Jessie Wingate is a florist by day, poet by night, and round-the-clock mom living on unceded Ohlone land in California. She holds an MA in Art History. Her work has been published or is forthcoming in Mother Mag, CALYX, Chestnut Review, Qu Literary Journal, Camas, The Antigonish Review, California Quarterly, Kestrel, The Berkeley Poetry Review, The Bold Italic, and others.
Hailey Renee Brown
Hailey Renee Brown (Ren) is a professional illustrator born and raised in mid-Michigan. A former field biologist, they moved across the country from Michigan to Pennsylvania, also moving from science to commercial art. A professionally trained artist, they attended the Joe Kubert School of Cartoon and Graphic Art in Dover, NJ, where they were selected as the recipient of the 2017 Norman Maurer Memorial Award as well as the 2019 Joe Kubert Jumpstart Project. They have since worked for a variety of clients from Dark Horse Comics and Dynamite Entertainment to Brink.