The Dead of Summer

Oklahoma, the dead of summer.

When I was younger, the Oklahoma sun would hang low on the horizon like a fat fruit from a tree, so low you could wrap your fist around it ’til the peach guts came gushing over the bike-blisters on your palm.

It used to be that the tornadoes only came in the spring, salsa dancing down the alley. Now they’re here all summer long. We even had one on Christmas day, two years ago. It was seventy-six and storming ’til the rain stopped, the sky went green, and we knew it was time to hide. We dragged the stockings with us to the cellar, waited ’til the sirens stopped wailing their Christmas hymn, then later came back up to eat the Christmas turkey and glare at the wind damage littered across the yard.

Now, in the dead of summer,  we’re standing a few feet back from the bank, watching the water rush.

“It’s really bookin’ it, huh?” I ask, cocking my head to the side, eyes following the brown water rippling downstream.

“Never seen it like this before,” she says. Her eyes are so dark that you can see almost anything reflected in them, even the refinery blowing big red clouds into the sky on the other side of the river.

She steps closer and I grab her elbow. “Be careful. They’re saying the bank’s eroded. People have been swept in, gone under, and haven’t been seen since.”

“I just want to see in the water.”

I don’t know why she thinks she could; the water’s always been muddy brown, too thick to swim in, let alone gaze into. I don’t let go of her. I’m not taking any chances. Imagine if we survived the last tornado, drunk off our asses in the hall closet with her baby brother’s mattress over our heads, only for me to lose her to the damn river.

“Come on, baby. Let’s go home.”

She turns and follows, but I know she doesn’t want to. In her eyes, I watch the refinery light up the sky, until she blinks and we get back in the pickup.

After two days of constant rain, the river’s up to the refinery’s front door. They evacuate who they can, but they can’t stop production completely. Everybody in town keeps whispering about the oil and gas fire at the refinery out east. I’m thinking, Great—if a tornado doesn’t get us, the river will; or if the river doesn’t, a giant fire’s gonna try.

She tells me it’s alright if we die in all this, ‘cause we had it coming. At first, I think she’s gone preachy on me, about how we’ve been kissing in sin all this time. But then she says, “Mother Earth’s gonna kick our ass. And we deserve it.”

By the end of the week, the refinery’s practically underwater. No explosion, not yet. But I’m starting to think the tornado cellar and her baby brother’s mattress aren’t gonna be enough.

Jerakah Greene

Jerakah Greene is a genderqueer lesbian from Tulsa, Oklahoma. They are soon to graduate from the Creative Writing program at Columbia College Chicago, where they study fiction, literature, and gender studies. They have published fiction in The Lab Review, and a review and interview in Hair Trigger 2.0, where they were the reviews editor in the fall of 2018. They were also a production editor on the last print edition of Hair Trigger (41). They are Editor-in-Chief of Antithesis, an academic journal published in the spring of 2019

Enrica Angiolini

Enrica Angiolini is an illustrator and comic colourist. Raised in a family rich with creativity, she developed a deep love for art—illustration and photography, in particular. She studied foreign languages in high school and University, gaining a Bachelor’s degree in Japanese Language and Culture. In 2015 she started her career in comics, and soon after got her first full series with Titan Comics, Warhammer 40.000. Enrica is now working as a colourist on The Thirteenth Doctor Who, The Steel Prince, and No World.