She stands by the bleachers in an auditorium that had been demolished years ago—a vision in a pale blue taffeta dress she’d worn to our high school prom. I stare at her, afraid to blink.

“Am I dead?” I ask.

She laughs, and the sound washes over me. Her cheeks flush as she smiles. “No, you aren’t dead. Just—elsewhere. For a moment.”

Pink balloons scatter across the old wood floor as she steps toward me, the edges of her dress whispering against her bare calves. Freckles dance like stars across her cheekbones and the bridge of her nose. I love her freckles.

“Are you gonna stare at me all night or are you gonna ask me to dance?” she asks.

I hold out my hand and realize I’m seventeen again, wearing the same ill-fitting suit I had mowed thirty-seven lawns to buy. Her hand slides into mine, and I feel my pulse pound everywhere our skin touches.

Heart in my throat, I lead her to the center of a makeshift dance floor blanketed in low draping lights. She raises my arm above her head so she can spin underneath it and winks at me over her shoulder. A smile breaks across my face, one that turns into a laugh when she tries to spin me under her arm.

She always knew how to do that. How to crack me open when I hardened, to bring warmth to my bones when I froze.

My hands shake as I pull her close, as she leans into me. “I Only Have Eyes for You” plays through the hazy speakers. The song she sang in the car, in the shower, in her studio as she painted. She wraps her arms around my shoulders, and she smells like summer flowers and sunshine, like soft rainfall on a Saturday morning, like cold nights curled under warm blankets, like love and laughter and all the dreams of the life we would have together. The life we built.

Tears fall down my face. She kisses them away.

I clutch her dress, blue taffeta wrinkling under desperate fingers, fearing she would disappear into old music and dusty memories.

“Save another dance for me?”

Smiling, she says, “Always.”

But we both knew I couldn’t stay.

I hold her close until the song fades to nothing.

***

I bring her old CD player to the funeral. I play our song.

My smile, sagging behind wrinkles of age and time and wear, wets with tears. But I can still feel the warmth of her palm on my chest, on my heart, as we danced among twinkling lights and pink balloons.

I don’t know where she went when she walked through the auditorium doors. But I knew that I would find her again. Someday.

And I knew that—wherever she was—she was saving me a dance.

The corners of Dolly’s eyes are marked red so that the cameras can find them; secretly, it’s so I can always see where she is looking. From the wing, I can tell that she is making eye-contact with every single person in the front row left to right. Each word, she sings especially for each of them, the clear notes of her voice dancing in the air like flakes of early-December snow. Where I stand, though, it isn’t snow so much as ash from a nearby fire. From behind the cyclotron, the spotlight glows a rusty red—as red as the tilled dirt in their tiny town, red as her heart-shaped lips, red as the Republican party. It hangs above me, her, and the entire auditorium like the strawberry moon— but only I can see the red. The audience only sees white, and she only sees the audience. The strawberry moon means that fruit is ripe and ready for picking—shouldn’t all those yokels be at home, harvesting?

The solstice heat was sticky and oppressive, although it was nearly midnight. We laid in the untouched plot of land behind her house. Her father kept trying to grab it, but the zoning office found new ways to thwart him. He is the mayor, for Christ’s sake, she would rant to me. Secretly, I was grateful—I didn’t want to see all the wildflowers mowed down to make room for cow pasture. The way her blonde hair was splayed out on the grass only confirmed my opinion. It looked like the ring around Saturn, a halo to her big round face. She stared at the stars, and I stared at her.

“One day, we’re going to get out of here.” She affirmed, then rolled over and kissed my cheek. I nodded and looked up to the big strawberry moon. “We’ll move to the big city—Nashville, or St. Louis—rent a tiny apartment, and we’ll meet men that aren’t farmers, and—”

She glances back over her shoulder as she turns for water and casts a wide waning-crescent smile. The glare of the spotlight casts her lace dress and the teeth I know to be brilliant white a faded shade of cadmium. The light glances off of her celestial body, and I understand now. She only reflects. Never produces.

When she turns to face the audience again, I walk out the stage door to the parking lot. I look up at the sky, drinking in the stars and satellites and bits of space junk; I drink up Venus and Mars, but I spit them out again, because they aren’t mine to hold. I try to hang on to the harvest moon, but it vanishes from my hands in a red puff of smoke. I brush off my dusty hands and go back inside. Dolly will need her Diet Coke soon.

“Are you breathing?”

The girl felt nausea in her nose all at once. Saltwater rose from her stomach, through her throat, and out of her mouth as she spat out bits of the sea trapped in her lungs. The woman standing above her frowned, but the girl didn’t answer her query. What kind of question was that, anyway? Could she have answered if she was not breathing? No.

Shuimu looked down. She was dressed, which was the most important thing. A black dress stuck uncomfortably to her skin, no shoes. The pulse of the waves pushed the fabric of the pants closer to her body, and it irritated her. She moved to her knees, pushing the woman’s hand away.

“What land is this?” Shuimu barked.

“You don’t know?” the woman answered. A smirk played across her face and a silver robe covered most of her frame.

Shuimu looked past the woman from her new resting spot. A blank darkness stared tauntingly back at her. The only light came from the woman, as if she had stolen the moon’s brightness and trapped it inside her. The waves continued to lap on the shore, but no sound came from them. Shuimu laughed out loud. She placed both hands on her chest, took a deep breath, and started chanting.

The Shurangama Mantra came out deep and strong from her lips. The pace was quicker than usual, if only to make the spell work faster.

“What are you doing?” the woman shrieked. “You can’t do magic at night, it’s forbidden here!” Shuimu opened one eye to watch the woman waving her arms. Shuimu smiled at the hysteria and continued her mantra.

“NAMO SARVA TATHĀGATA SUGATĀYA ARHATE SAMYAK-SAMBUDDHĀYA,” she called. Give praise to all the Exalted One, the Well Attained One, the Perfected Disciple, the Perfectly Self-Awakened One! Let us call the power of the Sun!

As she reached the end of the verse, she felt a shift in the air as the woman lunged at her.

Shuimu reached up to wrap her hand around the woman’s hair, twisting it and her head back. Shuimu pulled the woman’s head towards her own face so they were looking at one another upside down.

“Enough games, hag,” Shuimu hissed. “Take me out of this dream and back to my people.”

The woman feigned shock with a wide gasp on her face. She cried out, “What are you talking about?”

Shuimu brought her left hand down onto the woman’s throat and pressed until she heard the quiet, last gulp of air.

The woman’s body disappeared and the light within her died. Just as Shuimu guessed, the woman was none other than the shapeshifting moon in her human form, come to murder her. Too late, you tyrant, Shuimu thought. The horizon faded back into view. Trees on fire lit up the beach as the war against Shuimu’s people raged on. The uprising was here. There was no more time to waste.

a woman at night is like a man in the morning

except in all the ways she is not

for there are no means for the mounted streetlight to feel as warm

on skin

as the unrobed mid-day sun

nor can the sweet chirp of mothers to their young in the nest atop that big old birch

quite compare to the cricket’s night

interspersed by those phantom voices spun

by the hungry winds

gusty manhandling of autumn’s last branches

the moon for all her virtues

cannot give the time

no more than the sun can refrain himself from his merry traverse

on the trail of east to west

from dawn until dusk

when man’s wondrous telescope finds itself wrapped under a tarp

bearing the dirt of good fun

hoisted onto something so naturally manufactured for liberation

a Jeep, perhaps, or a pickup truck

 sans the sort of thing resembling a cover or door

or perhaps onto a back naked without the indentations of a bra

braced upon loud clunky feet that squelch down the mud path

they have never learned to tip-toe around uncles in living rooms

and meander to kitchens where mothers pour libations for thirsty throats or

to hush the patter of hurried footsteps

and avoid the big old lurker lying in the shadows

or to use inside voices when not inside

and listen for those foreign fingers hungry for tender necks

and to stay away from bad manners and shadows

no matter if the shadows transport  

to a poppy field

their pearly whiteness more spectacular night’s canvas and in it

where a patch of grass has

been worn down by calloused bare feet

in the same way man may fall to his knees

look at stars in skies

as the Romans did when Jupiter struck down light’s mandate from His celestial mantle so

too must woman fall

but to scatter rings of salt in the dark

knees resemble meniscus

at night man will delight in the moon

but know that she is nothing without sun’s light

woman could never think to look up

and arrive at this mournful realization

amongst the manic thrum of

howls erupting from the menagerie’s wolves menacing

the walk from car door to home door

uniformed silhouettes brandishing woven manacles

breeding fathers’ Mendelian gaze on adolescent breasts

dead men

and wandering fingers reeking of menthol and vapor

she hears them all in the menial silence of dawn’s darker precursor

senses heightened by menarche

and tragically

the scent of her own traitorous blood is what does her in before morning

All our guests have arrived, and we’re both at the altar.

I used to wonder what you thought about when you closed your eyes. When you were awake, it was easy enough to tell. You either had your nose down in a book, or you were taking a moment so we could listen to music or read together. You’d come up with these fantastic ideas as we danced to whatever song you chose, and when they blew my mind, you would give me the most breathtaking smile. But when you slept, it was a little harder. You didn’t toss and turn, you never made a peep. I watched you for years. And, though you never seemed quite happy, you always seemed the most at peace.

Everyone’s staring at you. Always at you.

I used to wish you’d never found me. We spent every moment together, since. Every class, every meal, and every conversation. It was great…but I felt guilty. You never spent time with anyone else, even when they asked first. No one ever saw me, standing when someone took the seat beside you, or quietly stepping back when they got too close and unknowingly pushed me aside. They never looked my way, and that was fine. But you never spoke to them, and I always felt like it was my fault.

You look so beautiful, I can barely hear the priest.

Would it have been this way if we’d never met, all those years ago? You knew me better than I knew myself. Maybe that was the problem. I savored every moment with you. But there were days you’d grow silent, and just stare at your phone. Days where you’d smile with everyone else, then cry the moment we got back to your room. There were a lot of those days, and I couldn’t comfort you through any of them. Those days, I wish you’d known me a lot less. Those days, I wished you could forget about me.

After the service, everyone stands as we head down the aisle.

I used to wonder about you. It was seventeen years ago you decided you were tired of playing alone, and you saw me for the first time. You dragged me into your make-believe games, and we’ve been together ever since. You were such a bright person. If we had grown apart, as most friends like us did, I know you wouldn’t have abandoned me. You would’ve sent me off with the most amazing story, more than I ever wanted, even if it could never compare to loving you. How it felt, being loved by you. You were everything, my Sun. I had always hoped you would forget me, and make better friends, like all the other children did. Now I wish I could’ve been enough.

They lower you into the ground. And I go with you.

Sun was a strong spirit, fierce and bright. Effortlessly, he drew attention to himself in a moment’s notice. It helped that Sun was tall, large, and handsome. Sun hunted, fished, and prepared the skin and meat with ease. The power Sun held brought Mars, Venus, and the rest of the village to him.

No matter where Sun went or what Sun did, the village watched him. He felt eyes on his broad back as he walked the dirt path to his hut. Sun didn’t abhor the attention. It was a pleasure to be depended upon and seen as a figurehead.

What wasn’t a pleasure was to be ignored.

Out of one hundred and sixty villagers, there was only one who never dared to look at Sun. Moon, the sickly sibling of the wonderful Earth. They were a pale imitation of their sister. Their lank hair was plaited into twin braids that flew behind them as they ran across the fields after Earth. Sun would watch the siblings from his hut and observe. Moon would stain their white clothes and whiter skin with the reddish-brown of clay and the green of grass. Sun would see Earth forced to spend the late evening hours washing the linens until they were clean from stains.

It angered Sun to see hardworking Earth break her back for the ungrateful Moon. Earth had no children of her own, yet she toiled over every chore the village had. She joined the men in the fields, the women in the animal pens, and the village in the kitchens. She sewed clothes for the children and repaired any holes they had made. Moon only added to the never-ending list of chores.

Sun had had enough. The fires crackled and the villagers chatted, but Moon still did nothing. He stood from his seat and set his hands on his hips. Moon, he called out, come and help me fetch fresh wood for the fires. Moon startled, staring at him. Earth murmured something and Moon reluctantly stood. Eyes downcast, they weaved their way over to Sun and halted steps away from him.

Come along, Sun ordered. He turned and walked to the edge of the woods. Moon’s awkward footsteps followed him. The woods were dark and still. Perfect for Sun to express his anger towards the useless Moon. He turned to Moon, grabbed their wrists, and yanked the wretch forward to crash to the ground. Sun pinned them and wrapped a hand around Moon’s throat. Squeezed as Moon kicked and scratched weakly. No sounds came from their throat as Sun crushed it. He strangled with a sick glee as Moon’s pale face turned red, then purple, then returned to a pale shade once more. Finally, Moon’s body was still. Lifeless. Sun released his grip and stood. Dusted himself clean.

It was done.

“Grandmother, look!” Off to the side of the path they walked every morning loomed a large, white tent. It stood in stark contrast against the bleak, gray landscape ravaged by years of weather extremes that fueled famines, pandemics, and wars. “Let’s go inside.”

The woman held the child back.

Spying the pair, a man hollered, “Step right up! A world of possibility awaits.”

“I want to see!” declared the child, mesmerized by a poster of a hummingbird.

The woman covered the child’s ears. “There are no possibilities, only death,” she snapped. “You know that.”

“Yes.” The man nodded. “Still, we’re not dead yet. We have three days.”

The woman scoffed. “Some choice: die a slow death along with this world, or visit the Center in three days, and . . .” She sighed. “An ignoble end to what’s left of humankind, either way.”

He pointed to the child. “She doesn’t know?”

“No. I can’t find the words. She’s so full of life—so inquisitive, caring, optimistic, kind. She’s a force of nature, this one, and she deserves better, but we can’t survive on her will to live alone.”

“Why not allow our simple sideshow acts to entertain you until then?”

“Your distractions will change nothing.”

“No, but perhaps you should let her have this.”

The child pulled away, tugging her grandmother toward the entrance. “Come on!”

“Alright, alright.”

Inside, the tent was enormous. The center corridor extended farther than they could see, with openings lining each side. People were coming and going, chattering among themselves about the marvels they had witnessed, things adults barely remembered and children knew only from stories.

In the first room, they watched in awe as spiders wove their webs. In another, seeds sprouted from rich, dark soil. They grew into plants that produced fragrant flowers, delicious vegetables, and luscious fruits. The child liked daisies and peaches the best but didn’t care for broccoli. In the next room, bees pollinated flowers and produced honey. “This is good!” the child squealed, when offered a taste. Further on, they saw birds build nests, hatch eggs, and teach their young to fly and sing.

They wound their way through the tent, and in each room were given glimpses of nature as it was, before it was spoiled by recklessness and greed. The grandmother wondered how it could be that everything appeared as if it was happening in real time; the child absorbed it all.

When they reached the end, the child asked, “Can we go again?”

“I’m afraid not,” the attendant said. “It’s time for you to go home.”

Hand in hand, they emerged with the other explorers—into a lush, welcoming world teeming with possibilities.

“How can this be?” the grandmother inquired. “How long were we inside?”

“Long enough for the world to heal.”

“Why us?”

“Them.” The attendant nodded at the children. “You’re right. They deserve better, and they need you to help them build a future. Teach them to do things right this time.”

We stand under the air-conditioned vents and watch from our enclosed bubbles as the most powerful human stands outside among the sun’s hellfire, hand-like rays punching him.

“Give it up for the Great, the Spectacular Titus,” Lew Graham screams through the speakers. He emerges from his broadcast booth in yellow coveralls with a radiation shield strapped to his head. Hands raised in the air, he prances around the arena. We throw our heads back and chant, “Titus, Titus.” The vents send an echo across the sheltered arena.

The timer above Titus displays the nine minutes he’s stood with us, muscles taut. A record. Even Oil Can Harry, dubbed the great Helios by his stans, can’t withstand the unfiltered sun for more than eight minutes and forty-five seconds. And that’s because of his mutant abilities from surviving an exploding oil catch can. Titus doesn’t need his armor of patchwork skin and scar tissue.

Myra leans in forward until her nose presses against the insulated glass. I yank her back by her shirt’s collar. While we’re safe inside, the glass isn’t foolproof. I’ve seen parents throw their howling children over their shoulders and carry them to the medical tent, palms cinched from pressing on the glass for too long.

When he hits ten minutes, a chirp sounds, and Titus bounces his pecs. Left, right, left. White flecks of skin fall off. His black skin now pockmarked and maroon. Surrounded by nothing except the glass ring filled with spectators, he shines under the light like an organism under a stethoscope. Beads of sweat drip down his forehead, past his chin, and onto the cracked earth. I see his eyes squint against the sun’s glare. We all do and crane our necks forward, faces inches away from the glass.

We watch him bend his shoulder blades inward and turn his head away from the eye of our monster. He bites his blistered lips, shriveled and purple from the sun, and clenches his hands into fists. Parents cover their children’s eyes with their hands and press them close to their bodies.

Inside the tinted announcer box, Lew holds fast to the doorknob. Head tilted to the side, he waits for his earpiece to give him the signal. Lew’s the closest to Titus, and the first to see him start to shake— his body spasming from the heat—tears prickling in the corner of his  eyes.

Finally, he gets the okay and flings open the door. But before it swings shut behind him, Titus’s knees buckle. We suck in a breath. I grab Myra and pull her toward the exit.

When we reach the tunnels, I hear the audience roar behind us. We turn. Titus stands tall, hands clasped in victory. The sun basks him in a halo of light.

Dear Beloved Sister,

I write from the center of attention at the 136th show of our Cirqueau, with my 136th letter to you.

I’m sitting in a new booth, marked a sideshow just yesterday. Upper Command thought it best that no one observe an abomination of a girl like me for too long.

Yet the spectators stare, eyes mesmerized by the reflection of ink on paper. The shapes of my letters are foreign, so different from the standardized typeface the rest are required to use, often with the assistance of aI-WRiTe.

There is a lost art in each stroke of my pen. The spectators see it too. Their longing reaches through the glass and nearly takes hold of my words: I wish to tell my story, too. I wish to write like you do. The Cirqueau offers them a place for such imaginations, but as you know a coveted spot in our show is only reserved for those who pass the TEST—the talent examination.

As I have done for the past 135 letters, I will describe the most interesting of the spectators.

Tonight, there is a girl around your age who reminds me of a young woman I once saw in an old photograph from the Archives. Under this photograph was her last letter. The political climate of the Polar Era caused the writer much psychological distress. She could not determine who she was, as she was always trying to appease others, especially those with radically different viewpoints. She became all those views and lost herself within them. She wrote, “I feel like the greatest liar on Earth.” At this stage, what is Earth anymore? She is a lie herself.

The girl is pounding on the glass now. I cannot hear her through the soundproofed booth. She should leave soon, intermission is ending.

She speaks, her mouth forming the same words in circles. The other spectators head back to the Cirqueau tent, occasionally looking over their shoulders at this funny girl’s commotion.

She continues to hit the glass, sending a quiver down my booth. She might break in. Something is not quite right. Hold on, Sister.

She is saying, “I am the greatest liar on Earth.” This is fitting, at the greatest show on Earth. I believe her.

Two officers have just come up behind her. Their presence makes her bang on the glass more furiously. The ground is shaking beneath me, yet there is not a crack to be seen.

The officers steal her hands. The Earth rumbles.

Do you feel the end coming up on you?

The spectators outside fall, and the ground opens up to swallow them.

At least there is water below. I hope there is, anyhow. It may be all dried up.

Now, I will fall too.

It’s funny what people don’t mind when they know they’ve only got so much time left.

Normally, when I swallow swords and hook wires through my nose and out my mouth, they gag. Or they puke on my shoes. Which makes sense. Most people don’t think about swallowing dangerous objects, let alone see it happen. Under normal circumstances, their reaction is a combination of horror and curiosity. Mainly horror.

The day the Sondering Circus went to the Splinter Dimension, there was almost none of that.

We didn’t have time to set up our usual big-top tent, because the dimension was going to collapse in less than twelve hours. But we set our caravan of fancy wagons into a semicircle and drew a nice bonfire. It was enough for the locals who’d braved the Great Sand Dunes of Colorado to see our show.

The rest was up to us.

After our leader, the faceless Magician, did a small act with roses and doves, Celia juggled alongside Benny and Belial, our clown duo. Joseph, our tattooed strongman, lifted our wagons one by one over his head, which impressed the crowd. He was followed by our contortionists, The Medusa Sisters, who were then followed by Dax, our slackline walker.

Then there was me.

No crowd were as wonderstruck as the Splinter folks. They never averted their eyes, as if they couldn’t get enough. It didn’t matter what I swallowed or what I threaded through me. Each daring act was a miracle.

In the Sondering Circus, we have an unspoken rule that whoever gets the most applause does the encore. That evening, the encore was mine. Ordinarily, I swallow an unusual object. I’ve got a whole bag of fun stuff for such a performance. But before I could reach for it, the Magician stopped me.

“What is it?” I asked.

He pulled something out of his red robe— a ball painted to resemble Earth.

“This? You sure?”

A nod was his only response. He rarely ever spoke and he never unmasked himself. It didn’t matter, I always trusted his judgement.

I held out the Earth for all to see. Every heart in the crowd seemed to stop when they realized what would happen next.

The Earth slid down my throat.

My gulp might as well have been a gunshot. Every person jolted, as if the world had ended right then and there. Before they could fret too much, I regurgitated the Earth and presented it to them, intact and unchanged. It reflected the sun’s dying light as their bittersweet smiles tore at my heart.

Our eyes were blinded by their annihilation as we transported back to our dimension.

That same annihilation will find us one of these days. When it does, I’ll swallow and bring back the Earth one last time. If nothing else, to tell the universe that life is as inevitable as death.

I don’t believe in what the circus is trying to peddle. It’s always been smoke and mirrors, even when wonder and joy weren’t part of the charade. It’s obscene to spend any money on pleasure these days, but it’s Ivory’s birthday and she wanted to see the elephant. I try not to flinch when the animal emerges, all bones and sinew held together by piles of falling flesh. She squeals with high-pitched joy when the beast totters. I hoist her up in my arms and try to pretend this is the world I wanted to bring a daughter into.

When the showman pulls the elephant away, the crowds dissipate, trailing into the sideshow tents. “Mommy!” Ivory cries, squirming in my arms. I grab her hand right before she darts off, and she huffs, but pulls me at a more sedated pace.

“…than are dreamt of in your philosophy,” intones another showman, as we join a small cluster of people. The man steps to the side to raucous applause, and behind him, a curtain parts to reveal a dazzling and disturbing woman. Her eyes are the color of slate by a river, and her dark hair is braided down to her knees. But what stops my gaze are the rivulets of scar tissue, starting at the line of her lips and cascading down her front like a gauzy veil.

“I present,” the man announces, “Claudia! The woman who can drink rainwater!”

I frown. Smoke and mirrors, I remind myself. No one can drink rainwater, not anymore. The man hefts a bucket up by the handle, hauling it onto a platform.

“This water was collected during the last monsoon.” He plucks his glove off to show four fingers, the scarred joints stiff and unmoving. With no hesitation, he dips his index finger into the bucket. The crowd stands at attention. When he pulls the appendage out, the skin is red and raw, already weeping and starting to blister.

He smiles, though his lips are tight. “And now, Claudia will demonstrate her undeniable talent.”

Claudia’s smile pulls at the scar tissue on her face. She grabs the bucket between slender hands and hauls it up to her lips. I can’t stop my sharp inhale when she tips the bucket, thin trails of corrosive water pouring down her gullet and falling down her front. Even Ivory is stock-still against me.

The skin around her mouth begins to steam, as though she were hot metal and not flesh. She swallows, and when she opens her mouth wider, I spot the angry flesh inside, scoured and pockmarked.

When she finishes, she throws the bucket to the side like a plaything. And then she turns to face us, her slate gray eyes stark against the devastation of her skin. I want to scream. I want to cover Ivory’s eyes. But I can’t look away.

Smoke and mirrors, I remind myself.

The year is 2200 where money is valueless, and memories are priceless. They have become the most valuable currency, traded and exchanged in markets, auctions, and more. People own and carry devices allowing them to store and capture memories, changing and upgrading them into tangible assets—the richer the memories, the wealthier the individual is.

Sasha, a young woman living with five other roommates in her New York City apartment, depressed, finds herself intrigued by this system. When she was little, she had always been fascinated by the idea of sharing experiences. Memories were the ultimate form of connection. Now she rolls her eyes when the silly memory comes to her. She’s walking through the Memory Market on an early Sunday afternoon, and as she approaches one of the booths, she notices a distant figure in a dark coat. The figure seems to radiate an aura of mystery, one that scents the air with forgotten tales and hidden recollections. She goes to approach the figure. As she gets closer, Sasha realizes that it‘s an older man with more warts on his face than features. He has something tucked away under his coat, and when she approaches him, he cautiously reveals it. The man tells her that what he holds in his hands is a device that able to extract memories from the deepest parts of someone’s mind.

Intrigued, Sasha decides to trade some of her most cherished memories for the strange device. She watches as the man clicks on the machine and sees shimmering memories transfer from her mind to the device. The man then transfers those memories to himself before handing her the device and walking away.

With her newly found and totally safe device, Sasha goes around exploring the market, carelessly trading tales of love, adventure, and heartbreak. She loves immersing herself in the lives of complete strangers, which is probably why she’s gullible enough to approach one and give away significant parts of herself. The market has become a garden of shared experiences to her, where she values each memory not just for its richness, but because it gives her new connections. She also learns of the system’s fragility.

She learns while some people hoard their memories for wealth, others cling to the past, grasping onto nostalgia and ignoring the present. Despite what others will think of her and the deal with the strange, ugly man, Sasha believes in the value of shared memories over the wealth of richer ones. In a world where memories are currency, Sasha makes every exchange of human connection valuable, receiving a wealth of diverse experiences that are priceless.