Snargleflox

Boric She stands in my study, barefoot, head cocked, and stares at me. My most recent suitress. But it’s a different stare than the previous girls’, alert yet unafraid, like...
Flaming fiddles, it looks like there’s a roadblock here! If you’d like to finish reading this piece, please buy a subscription—you’ll get access to the entire online archive of F(r)iction.

Three Poems

This morning, I wake up as a disembodied head / thoughts bloodied and matted / like cold wet dog fur / I feel a hand on my scalp / know...
Flaming fiddles, it looks like there’s a roadblock here! If you’d like to finish reading this piece, please buy a subscription—you’ll get access to the entire online archive of F(r)iction.

Breaking Ground: A Debut Author Feature with Emily A. Duncan

F(r)iction is delighted to introduce our readers to Emily A. Duncan, the author of the upcoming trilogy, Something Dark and Holy. The first book in the trilogy, and Emily’s debut...
Flaming fiddles, it looks like there’s a roadblock here! If you’d like to finish reading this piece, please buy a subscription—you’ll get access to the entire online archive of F(r)iction.

Sushi

On Monday, Jeff brings a water-filled vase into the office. A white lily sprouts from the top and an indigo betta circles serenely within. As he sets the vase on...
Flaming fiddles, it looks like there’s a roadblock here! If you’d like to finish reading this piece, please buy a subscription—you’ll get access to the entire online archive of F(r)iction.

Women of Will: A Feature with Words Without Walls

Words Without Walls is a creative writing outreach program that serves Allegheny County Jail and Sojourner House, a residential drug and alcohol treatment program for mothers and their children. Since...
Flaming fiddles, it looks like there’s a roadblock here! If you’d like to finish reading this piece, please buy a subscription—you’ll get access to the entire online archive of F(r)iction.

Afterworld

Flaming fiddles, it looks like there’s a roadblock here! If you’d like to finish reading this piece, please buy a subscription—you’ll get access to the entire online archive of F(r)iction.

Diligence

In the photo she looks older than fifty-four. It may be the hair, silver-rinsed and loosely pinned back from her face. Or the formality of the navy-blue suit with its three-quarter sleeves, the starched shirt with the notched collar. She wears good jewelry—gold cuff bracelet, cameo ring, wedding band. The photo was taken outside the small Cape house in suburban Connecticut, one town and a universe away from Bridgeport, where she and her husband had raised my father. Rosebushes border the front steps of this home, and in her lapel is a single red bud. Her hat, a typical bit of glamorous rectitude, resembles a miniature flying saucer. Its brim shadows her eyes, which look worried despite her smile. Does she suspect her life is about to change?

My mother picks up the photo in its silver frame, stares at it a while. She wants to say something but isn’t certain whether she should. She returns the photo to my desk. “Do you know the story behind this?” she asks.

The Fairway cashier is ringing up my groceries. Yogurt, soup, quiche, prepared foods mostly because I’m too tired to cook. No salads, no sushi, no raw milk cheeses. Those have all been proscribed. She grabs a chocolate bar, scans it, sticks her fingers in her mouth, extracts a wad of gum, and throws it in the trash. I look at her, incredulous. She smiles, reaches for an apple, says, “How are you?” Fine, I want to say, except for the fact that you just put your fingers in your mouth and are now spreading your germs all over the food I’m going to take home to my husband, whose immune system is no better than a baby’s. Instead I ask her to start a new bag for the remaining items. If I had a Handi Wipe, I’d wipe them all down just to make a point, only then I’d be the crazy lady in Fairway who holds up the line while she disinfects her food.  

When I get home, I wash my hands. I lay the “contaminated” items on sheets of paper towel then clean them, one by one, with hot soapy water. I’m overreacting, but I can’t stop myself. It’s something I need to do.

“Visitors are Welcome, But Their Germs Are Not. Please do not enter if you have a fever, cough, rash, diarrhea, or vomiting.” This is the sign posted outside the chemotherapy suite at St. Luke’s Roosevelt Hospital. The first time I saw it I’d found the sign alarming, but by Jeff’s second round of chemo I’d come to think of it as a sentinel—a raised hand to keep germs at bay. I knew the nurses took the message seriously; I’d even seen one of them shoo away a young boy with a runny nose. Afterward she’d rolled her eyes at me as if to say, Can you believe that?

According to my mother, the morning the photo was taken my grandparents were on their way to Yale New Haven Hospital. Several weeks earlier my grandfather, Geza, had lost his appetite; he was lethargic and had become alarmingly thin. His doctor, unable to determine the source of Geza’s ailments, had sent him to the hospital for tests.

My grandmother must have known something was wrong when the doctor asked to see her alone. Back then, the late 1950s, seriously ill patients weren’t always given their prognosis; it was left to their families to decide what, and how much, to reveal. Before marrying, my grandmother had been a nurse. She would have grasped the implications of the doctor’s summons.

“There’s a spot on your husband’s lung,” she was told. “A tumor.”

“How large?” she asked, and the doctor pointed at the rosebud pinned to her suit.

Here are some things Jeff has been told not to do: spend time in the sun, eat unpeeled fruit and raw vegetables, drink alcohol, eat raw fish, change the cat litter box, travel, go near anyone who is sick. During treatment he has to monitor his temperature; if it rises above 100.1, he must call his oncologist and report immediately to the emergency room. 

We don’t know how long he’s had chronic leukemia. Two years before his diagnosis he came down with a mysterious flu-like disease, but he recovered, and except for some swollen lymph nodes in his armpits and neck, he’d been fine. One evening, though, we came home to two messages from our doctor’s office. A routine physical had revealed an elevated white blood cell count. After that Jeff entered the world of biopsies and CT-scans, blood draws, oncology appointments, and the self-effacing vulnerability that comes with putting on the hospital “gown.” 

The doctor told my grandmother that her husband had, at most, six months to live. The diagnosis was advanced stage lung cancer coupled with acute leukemia. My father was granted an early discharge from the Navy so he could come home in time to say good-bye. Two months later, Geza was dead.

My grandfather was a heavy smoker, which no doubt accounts for the lung cancer, but my father and grandmother blamed his leukemia on a deep-sea fishing trip that he’d taken the spring before he died.

“He was fishing off the coast of New Jersey,” my father says. “Winter was barely over; the water still icy cold. And the boat he was on blew up. So there they were, stranded in the water, you know, for several hours before they were rescued. Meanwhile your grandmother was absolutely off the wall: ‘Where’s Gus? What happened? Nobody’s heard from him.’ And finally he came home soaking wet, bedraggled, and he got sick as hell, a fever, everything. I really believe that’s when he developed leukemia.”

Jeff’s oncologist has likened his treatment to a roller coaster ride—a slow climb back to health after each round of chemo, followed, a month later, by an immediate plunge.

The side effects were dramatic and abrupt. After the first round, Jeff’s lymph nodes shrank to nearly normal and his stomach swelled, making him look pregnant. In six days he lost five pounds. Suddenly he couldn’t stand the smell of cooked greens. Fish made him queasy and he could no longer tolerate spicy food. He reverted to childhood fare—ice cream, grilled cheese sandwiches, buttered noodles. 

Three months into his treatment he developed bronchitis, his temperature rising to just below the danger threshold of 100.1. This was summer, the heat muscular. Day after day we sat on the couch eating pistachio ice cream and watching the Olympics: Gaby Douglas pirouetting on the balance beam, Michael Phelps slicing through water, and those impossible feats and physiques. 

One afternoon, while watering the plants, I noticed that the living room air-conditioner was coated in a glue-like substance. The controls and grille were sticky. So was the windowsill and the lower part of the window. The other three windows were fine. I scrubbed away the filmy stuff, whatever it was, attributing it to exhaust from the double-parked buses and delivery trucks on our busy street. This didn’t make sense, but neither did a lot of things that summer. The next day the sticky patina was back. I began clearing the plants from the sill, and when Jeff asked what I was doing, I told him about the mystery grime. 

He got up to look. I went into the kitchen to make iced tea.  

“C’mere,” he said after a while.  

The oxalis—our big, lush, thriving purple oxalis—was spotted with pimply white scales. Parasites, I suppose you could call them. We had no idea where they came from. Jeff pulled off the affected leaves and for a while the sticky film vanished, but then the oxalis grew back covered in even more scales and those scales spread to our other plants. The prayer plant and begonia became infested. The violets, those small beauties, were spared, but the spider plants in the adjacent window succumbed. We quarantined the violets in the bedroom and threw the other plants away.

The cause of leukemia is unknown. A mutation in the blood-forming cells prompts the body to produce an abundance of abnormal white blood cells—leukocytes—that begin to multiply and crowd out the healthy cells. Smoking may be a contributing factor, especially in the acute form of the disease. Being in icy water, even for several hours, is not. According to Jeff’s oncologist, there is no way my grandfather could have contracted leukemia from his fishing accident. My father’s attempt to pinpoint the source of his father’s disease strikes me as a form of magical thinking. 

I’m not surprised by this. After all, it’s human nature, this urge to attribute cause to calamity. Crop failures are ascribed to an angry god, bad luck to “karma,” leukemia to icy water. There’s comfort, no doubt, in the notion that one can make sense of the senseless. If the reason for a disaster can be identified, the disaster itself can be contained, perhaps even warded off. If not, the world is a terrifying place.

There’s comfort as well in the balm of routine. Like me, my grandmother married late in life, at least by the standards of the 1930s. She was almost thirty-three when my father, her only child, was born. According to him, he disrupted his parents’ rituals: after work cocktails, wax-paper-wrapped hamburgers eaten at the beach on summer evenings, Sunday afternoons spent reading aloud to each other from the newspaper or the Saturday Evening Post.

“They were private people,” he once told me, “but always hugging and kissing. I was yesterday’s child. I was in the way.”

Jeff and I were even older when we married, and we chose not to have kids. We are a family of two with our own little habits—mornings reading novels side by side on the couch, afternoon walks to the Conservatory Garden in Central Park, martinis at the King Cole bar on New Year’s Day—not so dissimilar from my grandparents’ routines. 

Another ritual: After Geza’s diagnosis, my grandmother kept his silverware in a separate drawer from the rest of the family’s. As a nurse, she must have known that leukemia is not contagious. She must have known that Geza’s condition could not be made worse by contact with someone else’s fork, especially when she washed those forks—and knives and spoons—all together. Yet she took care to isolate his utensils. This act gave her the illusion of control. False comfort is comfort nonetheless.

I never fully understood the story of my grandmother and the silverware until the day I found myself washing every single item that Fairway cashier had touched after jamming her fingers in her mouth. Ridiculous, I know. Those Fairway bags had been on the subway, that dirtiest of places. People sneezing, coughing, tossing food wrappers under their seats, wiping their noses, touching the poles. It would be impossible to create an antiseptic world and, even if I could, who’d want to live in one? Yet there I was in my purple rubber gloves sponging down the yogurt and milk containers, dropping the apples in an iodine solution, bleaching the countertops. I couldn’t help myself. I couldn’t help Jeff either, not really. I could sanitize every surface in our apartment, but it would not make his leukemia go away. 

So what were we thinking, my grandmother and I, two women at a kitchen sink fifty years apart? Women smart enough to know you can’t wash away cancer, not with all the soap in the world.

I picture my grandmother all those years ago running silverware under water so hot it scorches her hands. There is a day, not far off, when her diligence will no longer matter. She knows this. And perhaps, as with me, her actions are less a way of eradicating germs than of keeping that knowledge submerged.

After six rounds of chemo, Jeff’s cancer went into remission. To celebrate the end of chemo and the beginning of this tentative new phase of health, we went to the plant store. Flowering cacti, a begonia, two spider plants, something called a braided money tree—we bought them all. My mother gave us another oxalis. So far, these new plants have been healthy, unblemished by blight.

What caused the infestation to begin with is something we’ll never know. And so we take precautions, examining the plants each time we water them. Because the disease can return at any time, we have to be diligent. We feel the leaves for stickiness, inspect them for scales, prepared to sacrifice any unhealthy plants. In this way we hope to forestall calamity. It’s all that we can think to do.

A Window into Worlds Unfamiliar: A Pioneering Writer Feature with Joyce Carol Oates

Over the course of her 60-year career, Joyce Carol Oates has published more than fifty novels and thirty short-story collections, many of which went on to win prestigious awards such as...
Flaming fiddles, it looks like there’s a roadblock here! If you’d like to finish reading this piece, please buy a subscription—you’ll get access to the entire online archive of F(r)iction.

Clean Slate

I have purchased 28 boxes of chalk over the semester, and that is simply too much. I am convinced that neither the other teachers nor my students are responsible for...
Flaming fiddles, it looks like there’s a roadblock here! If you’d like to finish reading this piece, please buy a subscription—you’ll get access to the entire online archive of F(r)iction.

The Reds

The first time I ripped out a beast’s throat, I cried. In spite of all my training, nothing could have prepared me for the stain of blood scalding my naked...
Flaming fiddles, it looks like there’s a roadblock here! If you’d like to finish reading this piece, please buy a subscription—you’ll get access to the entire online archive of F(r)iction.

A Dog Ran Down the Highway

He came in from work, carrying firewood. He smelled like the string cheese I put in his lunches. I packed a lunch for him every single day, after cooking him...
Flaming fiddles, it looks like there’s a roadblock here! If you’d like to finish reading this piece, please buy a subscription—you’ll get access to the entire online archive of F(r)iction.

How to Make a Peanut Butter and Jelly Sandwich

I was once a classically trained chef. I studied in France, then in Italy, even did a short stint in Japan to learn the art of making a perfect sushi roll. I’ve worked in some of the finest restaurants too, right beside the greatest chefs in the world. At this point in my life most of these skills are ill used. There is little need for blanching and deglazing when you are working in an industrial kitchen with fifteen other men, turning powdered cheddar into macaroni and cheese and busting open cans of slimy chicken and mushy green beans.

But every once in a great while, every few years or so, they come to me with a dinner request scrawled in shaky letters on a scrap of paper.

“Can you make this?” they ask. “Can you make it good?”

Yes. Yes I can. And over the past thirty years I have made many a perfect meal. I’ve made coq au vin with buttered egg noodles, maple glazed ham with charred pineapple and candied parsnips, and steak, steak, steak. T-bone, ribeye, prime rib. So many of them want steak, but they want it their way, the perfect way; the way they remember from that time they went to a real BBQ joint with their dad on their thirteenth birthday; or with cinnamon and nutmeg, the way Aunt Susie used to make it every Christmas Eve.

You name it, I’ve done it. Seafood too. Lobster more than once. Any time I get an order for the big red sea bug, I send my nephew down to the docks to get it—one perfect mid-sized lobster. People often go for the giant four-pounder, but that’s a mistake. It may make for a great photo-op when you are trying to wrangle its six-inch claws into a pot of boiling water, but in the end the meat is tough.

They mess up the butter too, which is almost as important as the meat itself. You can’t just zap it in a microwave and pour it into a plastic ramequin. No. It must be melted slow, the foam top removed, cooled, and then warmed again.

When I do lobster, I leave the warming of the butter to the very end. I have everything else plated and ready to go. I allow the temperature to rise just a hair above perfection, so it can withstand the cold walk down that long narrow corridor.

I never deliver the meals myself. I never take that walk. I am just the chef. But a damn good chef I am. I have made more than a few perfect meals, over a dozen, and always on a Tuesday night.

Today is Tuesday and at 7:00 p.m. dinner will be served. The priest comes at 8:00. The doctor at 9:00. The witnesses at 9:30. Lights out at 10:00.

A peanut butter and jelly sandwich. My eyes narrow at the note that has been left for me on the countertop. No explanations, no caveats, just three neatly printed letters, PBJ. 

I can offer him what no one else can, thirty years of expertise, an understanding of how it feels to be trapped in this place, of what it’s like to have the world start working against you.  

I had an instructor once, early in my culinary education, who had us make boiled potatoes for a final exam. He used to say that the simple dishes were the hardest to make. That complex sauces and entrees with dozens of ingredients came with spaces in which to hide errors, but the simpler things got the smaller those spaces became.

From a tiny closet in the kitchen I pull a pressed white chefs coat. It’s the one I got when I graduated from culinary school, the one I wore to every job interview, and now the one I wear on these rare Tuesday nights. I button up the front of the jacket and look down at those three letters. 

Where do I start?

Bread. I must start with the bread. White, oh yes, it must be white. Not even fresh baked or organic, but that cheap airy sort. The kind that’s smack dab in the middle of the grocery store bread aisle, the loaves twice as long as the others and two dollars cheaper. The kind you cradle on the car ride home like a newborn infant and still it arrives mutilated.

That is the kind of bread peanut butter and jelly sandwiches ought to be made of. And they should be eaten off paper plates while shooting hoops in the driveway with your friends, hand-delivered by a smiling mother who is much sweeter than your own. The kind of mother who asks if you would like chocolate or strawberry milk with your lunch and puts the cool beverage—foamy, rich, and stirred to perfection—right into your sweaty hands.

I pull a brand-new loaf from the pantry and bring it to the countertop. I grab a handful of slices and set the heel aside, because there is nothing more disappointing then opening your lunch box in a screaming cafeteria, trying to forget about the bully who knocked you down at recess, and that girl who laughed when you mispronounced “negotiate” while reading to the class, only to find that one side of your sandwich is supple and pure and the other side is the goddamn heel.

I examine the first slice. It’s too small and a bit dry. The second is moist but has a giant hole. I stick my finger through, whirl it around a few times, and fling it across the kitchen. The third also has a hole.

I pull another handful. Slice number four is hole-free but the whole right side is caved in, a serious deformity that also afflicts slices five, six, and seven.

Eight is perfect. Absolutely perfect.

Nine is a marred by a crater-sized dimple, victim of an errant air bubble.

Ten is okay.

I stack eight and ten on top of each other but they don’t line up. I flip one piece and try again. Flip the second. Still nothing. It’s useless; the slices must be adjacent, brothers cut from the same cloth.

I check two more loaves to no avail. I almost had it once, only to find that my own brutish fingers had dented the soft bread. 

I step back from the countertop, grumbling. Any bum off the street could have made this sandwich by now. You do not need a chef to smear peanut butter on a slice of bread. 

Then again, you don’t need a Michelin star to run a kitchen like this, but here I am anyway. Because I need to make a living and because, just like these men, I was cut off from what I love the most by a series of poor choices. An argument with a restaurant owner, a flying pot of soup du jour, an accumulation of rants and ravings I will never remember, and morning after hot morning being pulled from the pantry, hungover with whiskey on my breath. My flagrant outbursts layered themselves so thickly over my name that when that final night came, no one could see the man any more.  

I grab an armful of loaves and lay the bread on the counter. Carefully unwinding the ties—while holding the end of the plastic and keeping my hands far away from the bread—I ease each loaf onto the counter. After fifteen loaves, I find them. Number 287 and 288.

Choosing the right kind of jelly is a total no-brainer. Smucker’s grape. I pull a new jar from the pantry, twist the top and smile at that oh so satisfying pop. I touch the smooth glossy surface with the tip of my finger. Perfect. It always is.

I head to the pantry for a fresh container of peanut butter, because nothing is better than seeing that smooth, caramel colored surface—sometimes riddled with little specks of nut, sometimes not.

Fuck. Smooth or chunky?

It’s a personal preference. It’s been a personal preference since the beginning of time. Adam liked his peanut butter smooth, creamy, and luscious. Eve liked hers chunky, rich, and crisp. Neither one is wrong, neither one right. Except to the individual. Then it is either absolutely right or completely wrong. There is no in between and no way of knowing, except to ask.

He is likely on the phone now with a mother, a father, a wife, or a child—saying goodbye. Excuse me sir, I realize this is the last time you will ever hear your beloved’s voice, but do you like your peanut butter smooth or chunky?

No, I do not think so.

I grab a jar of each and a spoon.

I dip into the smooth, take a big glob, shove it into my mouth, and close my eyes. It feels so right. It tastes like life when it was perfect. When all you had was moment after precious moment. Because two-year-olds don’t understand past and future, they only know the bright red of their favorite fire truck, the way it glides so effortlessly across the kitchen floor, how it climbs straight up the legs of Father as he sits in the recliner, and how it fits so perfectly in the palm of his little hand as he falls asleep in Mother’s arms.

This peanut butter is pure comfort, but for good measure and to be sure, I take a swig of water then plunge my spoon into the chunky. Damn it’s good. A bit dangerous. A bit exciting. A six-year-old would choose chunky and eat it at the top of the playground jungle gym, mouth gaping and drooling, looking down at the world.

Chunky or smooth? Smooth or chunky?

I try to focus but all I can taste is peanut butter. It lingers even as my tongue slides around in my mouth, cleaning it up, polishing my teeth, savoring the richness.

I stare at the jars on the countertop for the next thirty minutes as the tightness in my chest grows and the panic that started in my toes burns up my spine.

I am running out of time.

Chunky or smooth? I need to decide but all I can think about is this speck of peanut lodged in between my molars from the chunky. Amazing, how a tiny thing can cause such discomfort.

My tongue has it under control though and works methodically to root it out. The fleck of nut feels as huge as a boulder between my teeth, and as my tongue scrapes over it, the salty sweetness of peanut rises in my mouth.

Dinner at 7:00. Priest at 8:00. Doctor at 9:00. Witnesses at 9:30. And then, 10:00. Can a speck of peanut last that long?

When his senses are flooded by the smell of sweat and disinfectant, overwhelmed by the squeeze of the leather straps on his ankles and the cold of the chair that seeps through the fabric of his jumpsuit—when they place that hood on his head and pull it over his eyes, when all goes dark and the fear comes, more intense and burning than he ever thought possible—when he can’t decide what he fears the most, death itself or the indescribable pain, will he find that speck of peanut?

I ease my knife into the chunky and lay heap after careful heap onto number 287, smoothing it out with wide, deliberate passes of the knife, matching the thickness of each stroke like a barber cutting hair.

I spoon the jelly carefully. It matters less how much peanut butter is on the sandwich and more how much jelly alongside the peanut butter. Ratio is everything.

I myself was balanced once, early in my career—talented and driven, with a passion for food and life that swung me perilously from pole to pole. Until that night when my knuckles slammed into the jaw of a pinch-nosed critic sitting in the middle of the restaurant, arms folded, sneering. 

That blow could have landed me behind these bars, but it didn’t, and yet I am here anyway. Because what is a person to do, lying flat on their back at rock bottom? What is left when the reputation of a man is infected with rot, his name akin to the black sludge that builds up in the crooks of the pipes of a kitchen sink?

I put the two pieces of bread together and it is perfect. I press down ever so slightly with the flat of my palm and the grape Smucker’s oozes out the sides.

I sharpen my best bread knife for five minutes. Then I take the blade to the bread. It cuts with ease into two perfect triangles. I place them side-by-side on a large plate.

The footsteps of the guard echo down the hall. This one walks heavy, but it doesn’t matter which one it is, they are all the same. All tired and depressed, pulling graveyard shifts, sick of the bullshit and the drama, brushing insults and curses off their uniforms like settled dust, thinking of their ladies and their babies asleep in their beds and not about the danger behind locked doors, and certainly not about a peanut butter and jelly sandwich on a white porcelain plate.  

The boots of the guard hit the kitchen floor. 

“Is it ready?”

“Yes,” I answer, “but I’ll take it myself.”