Dear Septimus,

I’m certain you’re surprised by this letter, but an extraordinary revelation has reached me, and in part it is thanks to you. Yesterday evening, as my sister Rachel placidly embroidered and described her day, I found I heard the songs of moths that danced above the mantelpiece. Their bawdiness is inexhaustible. Whilst a pair warbled obscene duets, a third flapped vile wings and swooped towards my pompadour. My hand slapped up a second too late, creating an updraft that drove the creature into my ear.

The little thing’s scream vibrated my cochlea. I shook my head, hoping to crumple her antennae, but that only prompted shrieks more deafening.

Aware of Rachel eyeing me askance, I hissed at the moth to calm herself.

In response, she rudely spat, “Wing spreader! Soul spiker!”

I had no doubt she referred to my pastime of collecting butterflies, which some believe to be souls of the deceased. She muttered of the net she’s seen me carry. To feel her dread, you’d think it a blood-soaked sword.

Rachel asked with concern after my health. I lied that I was perfectly well and excused myself to bed.

Eager to placate the insect in my ear, I vowed to henceforth indulge my passion for lepidoptery only in pursuit of butterflies, never moths. At that, her fright did subside.

In the darkness, I listened with intrigue as my moth detailed the freedom to be had if I learnt to exploit my femininity. She sighed of love, of lust, of things I’ve never dared consider, and described flirtations – the art of pivot and flit, not to mention the alluring power of fragrance.

And I recalled you, the chorister I adored who betrayed me. For seven years you moaned my name as though it scorched your mouth but turned to others to sooth the burn.

That’s enough to sour any woman.

What if I were to collect men as I gather butterflies?

It’s a shocking idea, yet one that makes my heart waltz. Having experienced your callousness, I’m certain a man would be just as agonized to be dallied with and abandoned.

My moth has taught me I have that power. At that thought, I confess, I feel a dizzying thrill.

My dreams last night brimmed with nectar-rich blooms and sweetly rotting windfalls.

When dawn came, I woke to find my moth gone. I would mourn her if it wasn’t for the glimpse of one shadowed wing beyond the windowpane.

I fold this letter to resemble a moth’s wing and hope it will reach your hands and heart. Too many I’ve sent you without response – surely all cannot have been lost!

Today I vow no more letters to you and no more moths for me. Instead I shall seek pleasure in studying butterflies and pinning the hearts of men.

I owe you deep gratitude for contributing to this plan.

Yours in earnestness,

M. F.

Whenever I walk into a room, he leaves. We exchange no words. Not even a glance in each other’s direction. After several weeks, this dance has become second nature to us. He now sleeps in the spare bedroom. Our teenage kids no longer ask questions.

On Friday morning, the sun creeps in slowly through the kitchen window, making promises it won’t keep. It shines on the sink, piled high with dirty dishes, food encrusted on the once smooth white surface of the plates. Crumbs and coffee stains speckle the countertop. I can’t bear to look. For too many years, I’ve been expected to do everything. I stopped when I realised I had become the maid.

I eat breakfast quickly, cleaning my own bowl before returning it carefully to the cupboard. Walking into the hallway, I’m unable to stop myself from robotically straightening the rug. As I reach into the cupboard for my coat, something falls to the floor, and I momentarily contemplate leaving it there. Bending down, I pick up a tub of magnetic letters, long since abandoned by my fifteen-year-old daughter. Their bright, enticing colours bring a forgotten smile to my face, and I’m eight years old again. Returning to the kitchen, I attach the following letters to the fridge door: clean the dishes

That evening, I’m home later than usual. The house is unusually peaceful. He is out. The kids are at their friends. I walk into the kitchen. The dishes are still piled high in the sink. I turn and see that he has added words to the fridge door—your turn

Annoyed, I instinctively I lift my hand, ready to send his letters scattering. But I stop myself mid-swipe. Glancing towards the tub of leftover letters, I smile and reach my hand inside. My fingers swirl until I find an “o” tangled amongst a raft of consonants. I lift it out and place it carefully under his “n.”

your turn

              o

That night, I sleep better than I have in years.

The following morning, at precisely two minutes past eight, I peel back the duvet, exposing my bare skin to the cold air of the room. I lay silently, basking in the joy of doing nothing. Half an hour later, when I enter the kitchen, the dishes are still putrefying in the sink, and the letter “w” has appeared on the fridge.

your turn

               o

               w

Days ago, I would have been livid. But not now. I take my time selecting more letters, pulling apart those that have magnetised together. After caressing the solid shapes between my fingers, I add “hat” to our ever-growing crossword puzzle.   

your turn

               o

               what It may be childish, but I’m not backing down. My heartbeat quickens as I leave the kitchen, pleased that these letters have found a new purpose after being abandoned by my children’s sticky, wet fingers. It just goes to show that there’s a second life in all of us, even when we think there’s not.  

She goes northwest in the winter.

It is tradition after all. I, ever your loyal ally guarding these far marches of your kingdom, and you, crowning your great mountain, defying the long dark. When else should we meet?

She cradles the wooden box from the train to her bed, where she waits for the jetlag to lower her head to the pillow.

The journey was treacherous. Too many horses, too many men—lost to the snows, the fell squirming things under frozen soil, the clawed hordes haunting tree and cave. Who among us could ever find sleep?

Fires are lit, songs are sung, programs watched, and a feast prepared for the holy day.

This day, the shortest of them all . . . we should have sung the lays of treasure-seekers beneath the sea and lovers that leaned down from the stars to kiss these great peaks. Would that we may have been in such songs. We know their pain well, but the wine we drink is more bitter.

The letters had been found in the box, inside half a stone arch, in a ruin in the woods. It had been eaten by rain, wind, and the soil of sliding land. It seemed strange that time should reveal the box, rather than bury it. Rather than held reverently in her young hands, the letters should have been broken down to dust-motes, caught in the old gold sunlight of the dying year.

But we, undying as we are, simply carry our stories and our time, do we not? We shoulder them and pray that we will add a new chapter with each year, and ours should have been a book never-ending. Yet what I found here was a ruin. After these centuries, the siege finally broke. Your banners carried the day—but could not carry you.

She fancies the letter writer is a man, and that he is a captain. Something in the slant of the letters, perhaps, though her older sister tells her that’s superstition, not science.

She fancies he is not human—why should he speak of not dying, of centuries of war? Her grandfather has answers to everlasting life that he doles out so close to the holy day, but something tells her that this isn’t what the captain meant.

She fancies the writer may not even be of this world—or his world may be long lost. There are no towering hills recorded here. She has checked every map in the local library and antique shops. Their mountains are low now, old as time, and sinking back into the earth. She sits before the fire, clutching the final page of the final letter while her loved ones are in the other room. She fancies the captain loved the king, too.

I go to your pyre now, our life committed to these pages. I bury them, to be fed to the roots of the mountain. Unseen, yes, but alive forever. Perhaps, year on year, they will grow back up to kiss the stars.

When we were young, we wrote a message in a bottle and launched it into the future. You fetched an old Coke can from the loft where you slept and a scrap of paper for us to scribble on. I don’t remember what we wrote, but we must have thought it was important. You signed it with your old name, the one you didn’t keep. Now it feels like a foreign object on my tongue.

We gathered on the bridge to drop it over the cleft of the waterfall. We watched it float downstream together, away from your grandfather’s cabin and my grandmother’s farm. We imagined it catching in a tangle of tree roots alongside the riverbank, or being swept out by the current to Long Island Sound. We envisioned it finding different countries, different shores. For years, I inspected every stray piece of litter on the beach. I never found it. I didn’t know it would be one of the last times I saw you. You changed your school. You changed your name. Our lives spun away from each other like a bottle bobbing adrift on the current. But I know that like our bottle, you’re just around the next bend in the river. If I wanted to reach you, I know how.

I open your body and observe

the wasteland—dirt, reduction, and poison

with barbed-wire breath more comforting

than your empty heartbeat. In turn,

you open mine and search for a word

that means my worship. Tell me,

you say. Your body is a ravaged battlefield

of unspoken prayers. Your body

imposing mycelium. Your body enveloping mine.

I say, revival. I whisper, loneliness.

///

Shades of black. The most beautiful

darknesses you were. My skin shivers

from your familiar touch, the stomach

snaking deeper into itself in blurry

recoil. Bones house the horrors

ringing in the crevices of the hollow—

we made love too often

for my own taste. Our habit was

to keep the window open so that

we both could breathe the autumn

atmosphere of dusk remnants and colder

whispers. In that, I mean

you were always such a tease,

a metastasizing fear of falling

further into insanity until

only the shell remained. Blood

turned to liquid shadows. Heart

turned to stopwatch. The outside

turned to a smallness I’ve only

known in the worst dreams,

the most careful of nightmares.

He’s three years older than her. If they were grownups, three years would be nothing. But he is thirteen and she is ten. At that age, three years is something. But he’s runty, looks a lot younger than he is. And he’s kind of a loser. He still likes to play make-believe. She really doesn’t think of him as older, certainly not as a teenager. Teenagers are people who sit outside the Arby’s and smoke and suck face. She doesn’t mess with teenagers. But he’s not like that, so it’s OK. 

Her mother, when she thinks about it, is uneasy with the friendship. But he’s so small and sometimes, when they have him over for dinner, he holds out his plate for more and is such a little Oliver Twist type her mother forgets to be uneasy. Her father is at work a lot, so he hasn’t even noticed the friendship. He eats dinner in his den after everyone goes to sleep. Their friendship isn’t on his radar.  

His parents are glad that she is his friend. They are glad he has any friends at all. They are so glad, in fact, they have taken the two on an adventure— all the way to the giant swamp, the Everglades, where they will see alligators and egrets and frogs that make sounds like wet rubber soles on linoleum.  

He is psyched because he’s just watched Manimal for the first time and he is certain that he too is part man, part animal and the jungle atmosphere of the Everglades is all it is going to take to finally unleash his true, inner self. On the trail, he paces and makes growling noises. He is calling to the panthers; he can sense their presence. It is the kind of behavior that keeps him in the school counselor’s office and his parents awake at night.  

She is a little embarrassed by his behavior and a little excited. Secretly, she likes the way he still plays make believe because it makes it okay for her to play along, even though ten is way too old for such games. She will never tell the girls at school about this trip. She will say she went to the mall and got her ears pierced even though the earrings she will wear will be clip-ons and she won’t really get her ears pierced for another three years. She will only tell her mother that she had a nice time and yes, she thanked his parents and yes, she wore sunscreen.  

In time, they’ll lose touch. He will go to college or join the army or die. She won’t ever know. She’ll grow old. Her joints will ache. She’ll wither. She won’t remember the boy’s face or his last name. But sometimes, late at night, she will lie in bed and her skin will vibrate with the memory of being a panther, of hearing the call of a kindred creature and answering without hesitation. 

I often wonder why I cry.

Is it me or is it just a lie,

to feel sorry for myself

for going through things it seems matters to no one else?

Or maybe it is my body’s way

of releasing the pain

I try so hard to hide away,

but it becomes so much to bear,

that even my body seems to care,

though I walk through life with a blank stare.

After a while it all comes to roost,

like a prisoner who has just been loosed,

running to find the best protective shelter,

seeking the help of the unsuspecting,

all the while neglecting,

eventually I will get caught.

Caught with raw emotions,

erupting and setting off like an explosion.

Then I will be left in shock,

as if I never had the notion,

that my pain and feelings start taking over me, creating an erosion.

I wish there was some relief for my pain,

like a magic potion,

but then again, I rather feel something than just go through the motions

of masking my pain, when healing has become my devotion.

When you first meet her, you don’t know her; she is a quiet hymn wrapped only into herself, a silent whisper or prayer too stifled to hear. She has navy blue hair like the night sky. Her pupils are sharpened, her eyes overlaid with a cornea layer from an illegal surgery, crisscrossing copper like a semiconductor, little flecks of light racing along the lines until they reach the edge of her iris and they dissipate. You notice the freckles on her face, and hidden in between them, you notice four dimpled scars around her eyes from where something was drilled into her face.

In the dark of the maintenance space, you catch her, after you notice her fingerprints are missing, after you notice her disrupted biomarkers, after you notice the huge scar over her lip, after you suspect she’s hiding her allegiance. And you chase and shoot, and she never fires a single shot back. When you knock her to the ground, you reach down to rip her earpiece off, and when you yank it out in one motion, you wince as you realize it’s a combination hearing device and attached to her cochlea. She screams. You cry.

When you meet her later, you don’t know it’s her and walk into the hangar bay with your hand near your holster. You see and hear through the windows before you open the airlock, and there is sparking and hammering around a small foreign ship with rusting joints between the windowpanes.

With your gun drawn, you enter, and she looks up from her welding, helmet over her face, and white, dry hair sticking out from under the straps. It reminds you of stars, far away, as if she flew out into the far reaches of the frontier in the rickety cruiser and grabbed a handful and dumped it over her head. When she finally takes the welding helmet off, her eyes are light blue, pupils still sharp, and her irises have darker flecks shaped into stars and a crescent moon. She keeps a cloth over the bottom half of her face and grease smudged under her eyes, connecting and merging all the spots across her skin into one nebulous entity. There is a cautious magnetism between you two, like a moon being drawn into orbit around a planet. You hold her close with your hand on the back of her head and whisper. She cries.

When you meet her for the last time, she appears. You enter the room and she’s already there, ahead of you, facing away, wearing long cargo pants with her hair neatly tied back into a ponytail, the ends blunt and clean. It’s a dark brown, and she turns to you, her eyes the color of milk with no designs, no patterns. When you draw her to yourself, there are tears and the smell of warmth and chemical cleaners, and your arms fold around each other and settle contentedly like land subsiding after an earthquake.

Twelve hands, old and withered, smooth and small, tan and brown,  

force the couch against the wall and we all 

huddle as close as we can bear. 

Our shared blood boils in my grandmother’s living room, a packed crowd  

of skin demanding new beginnings.  

The ball drops on the boxy TV and we raise one booming voice 

Ten, nine, eight. 

My family has a New Year’s Eve tradition. 

Plastic champagne flutes filled to the brim with twelve wishing grapes 

red and green, always so large, full and bursting I wonder 

in what strange market Grandma must have found them.  

I won’t ask because she won’t understand, nor would the cashier she bought them from. 

Still, I long for red and green, devour with my eyes as we chant 

Seven, six, five. 

Behind the round surface of a grape, I see a cousin’s pregnant belly, 

recall an imminent arrival cradled inside, awaited by five young siblings. 

In the grape’s pale green, I see a pale woman, 

recall her stare from her doorway, her face pulled taut and arms crossed, 

as my family walks down the street of our neighborhood. 

Too many children, not enough adults. 

Breeders! she yells from the soon slamming door. 

I don’t know what it means,  

don’t like the way that incomprehensible language hisses 

in response under the breaths of mother, aunt, grandmother. 

The explanation that comes later weighs heavy as they count 

Four, three, two. 

This New Year champagne fills my glass instead of red and green. 

A bubbling sip whirls in my stomach like the uncomfortable stirring  

when a struggling Spanish woman at the supermarket  

is told by her cashier to Speak English. 

This is America, after all. 

I think to myself that she should have gone to whatever market my grandmother did.  

Her cart held two bags of grapes. 

My hand now holds a glass of liquid warmth   

that forgets red and green bursts, and though 

I try to count a dozen sips, I lose my place and  

it all settles in my empty stomach as I reach 

One.   

It was a spring night when I was staring fixedly at the overhead fan, waiting for the man on top of me—my then-boyfriend—to finish. As I tightly clutched the bedsheet waiting for it to end, I could feel the bed moving under me. It seemed like the world was swaying ever so gently. The next day, I scrubbed my skin in the scalding water till tiny clots appeared on my arms.

The following summer, I was laying on my bed staring at the overhead fan when the bed began to shake. I looked up to see the fan swinging in its place like a giant hand had flicked it. Someone on the street below yelled out, “Did you feel the earthquake just now?” followed by a chorus of yeses and nos.

I made no effort to get up—you live long enough in an earthquake-prone area and the initial shock wears off.

Two winters after that day, I was reading a webcomic when I suddenly looked up to check the overhead fan. No signs of any movement. I turned to my sister and asked, “Did you feel that just now?”

“Feel what?”

“Wasn’t that an earthquake?”

“You are imagining things now, I didn’t feel anything.”

Unconvinced by her snarky reply, I checked if anyone had tweeted about an earthquake in the vicinity. Nothing.

The same evening, I was sitting in a boy’s room downtown. We had known each other for a month and after two cursory coffee dates, he had finally asked me over to his place.

To counter the initial awkwardness, we decided to watch a movie. Midway through it, he asked me if I was cold and held out the blanket. He stretched out and hit pause on the movie.

“Come here,” and he gave me a light hug—blankets and all.

“That feels warm.”

“Yeah? I’m known to be a warm person.”

I rolled my eyes at his reply, and he burst out laughing. I pulled away slightly and laid down.

After a second, he laid down next to me, and I could feel his breath on my neck. I turned to face him. He was smiling, his face half-covered by the blanket. He slowly closed the gapand kissed me. A moment later, I could feel his hands coming up to cup my face. Then he suddenly pulled back and asked, “Is everything okay? Did I do something wrong?”

“No, no. Everything’s fine.”

“Then why are you crying?”

“I don’t know… I mean, I do… It’s just been a while since stuff happened.”

“Okay, no, yeah, that’s cool. We could just enjoy the movie, yeah?”

“Yeah. I’m sorry.”

“No, please. I’ll go get you some water, cool?”

As he left the room, I looked up to check if the fan had moved at all. Nothing.

So why is my body still filled with the tremors of that night?

[Exhibit A]

You are nine and have already furred, developed breasts, curved your way into woman. You need a bra that does more than train. It is tight; you sweat, itch.

Over neighborhood play, some ball-sport, a sixteen-year-old looks down at you, his lips curled. His blonde hair is coiled and slick like a mannequin’s. He calls you sexy.

It is the first time a boy compliments you. You believe that only their compliments matter. You hate that you internalize his comment as good.

Sexy sticks like molasses; it only attracts flies.

[Exhibit B]

Twelve, the car loop outside middle school. A classmate has gummy worms. He moves too close. He smells like basketball: plastic; the gym-floor-gloss; the creeping, thick breath of a person on offense, trying to snatch the ball from you.

He asks if you want the gummies.

Sure, you say, but he retreats the bag into his chest.

Show me your boobs and I’ll give you the gummy worms, he says, grinning widely, shamelessly. You run away.

Your bile is as sour as the worms. You picture them crawling within your breasts.

[Exhibit C]

Sixteen, in-elevator, post-morning trivia on a cruise, hand pressed to acne-speckled cheek. The cysts are so deep, heavy, and purple that it is an inverse constellation, white ringed around violet. You twist away from photos.

A man, face blister-red, stares at your pelvis. He smells of saccharine, stale liquor.

S’up? He asks. Wanna go to the bar?

I’m sixteen, you  say, adjusting your bag, glancing out the glass wall. It rises with your pulse. Your words mean nothing.

You focus on the door. Creep closer. Half-step. The doors open.

He reaches for you. You speed away, away, away.

[Exhibit D-W]

Whistling in the streets. Called fat, ugly, while fetishized by the same people. Tunneled into consumption.

[Exhibit X]

You, twenty. Things you left behind on the bus on a long field trip: jacket, sweater, blanket.

Upon return, ready to sleep, you see an unknown item: rounded, long, glass. White streak down the side. Hot. You, clueless, think it something else—not a used sex toy. Air pump, perhaps.

You lift the warm jacket to your face, flit around sleep.

When you find out the truth, after cop’s failure to act, you summon on your knees the words of women before, spitting galactic bile into the swirling toilet-globe. You earthquake free the fear, scrub skin red, pray, pray, pray. Memory shudders into you, handprints on skin like ghosts of the men before, the ways they wished to grab, squeeze, take you.

[Exhibit Y]

The body muscle memories the way that it is seized, imagined, seen.

Parts blink like a hotspot. You see it in the mirror sometimes: the flickering, low and red like dying candlelight. The handprints. The heat. The itch.

The body is not yours.

[Exhibit Z]

But you carry the body’s memory, strengthened by it. It is not the body, but the being within; that which says and knows you are okay, okay, okay.

The pain spreads through my body like dye coiling through water. It would be easy to imagine that my insides are colored red right now, but instead I picture them to be a deep, furious blue, the color of soreness, of pain after it has wrecked you. The color of aftermath. I try and will my body to stay in one position, stomach angled away from my legs, my torso twisted. Somehow, I believe this will dull the pain. Or maybe, at least, I will have manufactured another kind of hurting, so the real one will pang less. I don’t know.

*

On the T back home, I watch a young boy with something red clutched in his hand. I can’t tell exactly what it is from where I am. I’m wedged between two strangers and I’ve hunched my back so that I’m leaning away from them, doubled up over my uterus. My stomach feels soft to my skin, as if it were a large tuft of hair or a sack of tender oranges. All the way through the city, I am aware of my abdomen, this globething in my lap, spinning. Suddenly, the bus lurches forward, and the boy has lost control so that he skids across the grey floor and his arm is in my face, his hand waving something crimson at me. Playdough. I look at the boy’s fingers curled so tightly around the ball of dough as though they will never uncurl. His whole world a scarlet orb in his palm.

*

M takes a look at the bruise on my leg, its green veins, its purple heart, then laughs. “That’s a whole universe right there.” Then softly, more seriously: “That’s not what your period should do.”

*

When I go to throw the trash out at night, I almost don’t see the rat at first, its guts splayed across the road, flesh cleaved from bone, its eye a silver opening. The eye reminds me of a tiny bead of caviar, the way it’s glistening from yesterday’s rain. There’s something gurgling in the dumpster and I can’t stand the sight of this death, as though someone has scooped up strawberry jam and mixed it into cement and grey skin and asphalt. The rat doesn’t look alive at all, but almost looks as though it has stepped outside of its own body to inspect itself. I move away from it, my legs extended away from me, my skin suddenly awake and bristled. I think of playdough and rat meat and this liquid, gelatinous night and my own wobbly body and how nothing in this dark feels real, except maybe the deep, aching blue of my torso. In the dark, I stand, recoiling from the day’s softness.