Memory Man 

He comes once a month on the last day during the last hour. Never late, like clockwork, tick tock, and always on time. You gotta be lucky enough to find him, people say, but when you do, you’ll know. Only a handful of people have seen him, even with a backpack you can’t miss and a hat that covers eyes you’ll never see. People say if you’re desperate enough, you’ll find him.

You’re desperate enough. She was desperate, too.

You could go to The Center and tell them it was an accident. They’d ask you why and you’d tell them you don’t know. They’d buy It and take It away, but then they’d take you, too. You could go to a dealer in one of those alleys, the kind where piles of trash somehow tumble out of half-full dumpsters, where cats look for a feast and lampposts only ever flicker and there are rotting corpses of people who were hurt by accident—it was an accident, don’t forget that. They’d buy It and sell It, but then they’d sell you out because that’s ten times the money.

So, you look for him instead, clawing up hills like she clawed up your arms, dirt burying itself under your fingernails like your flesh buried under hers, like you buried her—

You notice his hat first. It’s tugged so far down his face that his nose is barely visible. Tufts of white hair curl themselves underneath, snaking around one another and fighting for the chance to say hello. She fought for the chance to see another day.

His backpack is twice his size, and the way it’s being poked and prodded and slammed into from the inside tells you that’s where your Memory will go. Dog tags hang off the side, limp like the overcooked noodles you had that night, limp like her when she took her final breath—your fingers pressed firmly against her neck, her mouth slack and lips drained of color when you tossed her into the now-full dumpster.

He doesn’t speak, doesn’t need to. And you, you don’t dare utter a word. His fingers are thin, delicate, smooth—hers: scratched, broken, swollenas they flick up his hat. You look into his eyes. Those big, round, purple eyes people said you’d never see. But they’re right there and they’re telling you it’s okay. It was an accident. They know.

The last thing you hear is the wind before the world goes black, and you’re being pushed and shoved and poked and prodded at and slammed into and finally—you don’t remember a thing.

He leaves once a month on the first day during the first hour. Never late, like clockwork, tick tock always on time. You won’t even know he came, people say, save for the body he leaves behind. You can find it if you’re lucky enough.

But no one who’s truly desperate ever sticks around long enough to hear that part of the story.

Inanna Carter

Inanna Carter is a recent graduate of Kutztown University with a B.S. in Psychology and a B.A. in English/Professional Writing. She’s currently undertaking an online MFA in Emerson College’s Popular Fiction Writing and Publishing program and freelances for a gaming journalism site. With her two wild cats Remy and Mouse constantly on the run, Inanna’s been doing her best to outline and write her first novel, all while crocheting, reading (more like collecting) any romance books she can find, and happily listening to BTS or Stray Kids.

Hailey Brown

Hailey Renee Brown (Ren) is a professional illustrator born and raised in mid Michigan. A former field biologist, they moved across the country from Michigan to Pennsylvania, also moving from science to commercial art. A professionally trained artist, they attended the Joe Kubert School of Cartoon and Graphic Art in Dover, NJ, where they were selected the recipient of the 2017 Norman Maurer Memorial Award as well as the 2019 Joe Kubert Jumpstart Project. They have since worked for a variety of clients from Dark Horse Comics and Dynamite Entertainment to the Brink Literacy Project.