Fragrance Review of The Moon by Planetary Pull

Top Notes:

Crisp, elusive, clean.

Like the dried orange peel that flits from fingertips into the shallow of the beach water with the moon draping beyond, and the sand particles drifting past lips when the wind kneads hair into twisted knots while the brine never dries.

Pores opening to inhale scent. Mouth opening along with little holes in my skin, and I can almost hear the crunchy, grainy, salty sand rolling in my mouth. I am the voyeur, standing alone in the middle of an open beach.

My unintentional gift— the orange peel— where did it go? It should have sunk underneath the salty waves and laid motionlessly on the brown sugary sand. It should still be there, stagnant, stationary, waiting to be picked up and returned to my hand. And yet, I don’t see a glimpse of murky orange underneath sand-filled water. The moon nods winks at the beach, it pulled my offering away, but I hadn’t had the chance to see it leave.

There exists no orange by the shore.

Middle Notes:

The top notes are long gone and the remaining concoction blooms into a deep creaminess. The velvety middle notes melt into my skin, but my mind yearns for the clean scent of an orange peel flying away. I can’t delight in the taste of time gliding out of reach.

A cycle of fingertips presses down on the oblong perfume nozzle. Spritzes of chemicals grace the air. I exhale. Sniff deeply to replace the remaining air in my lungs with a glimpse of the dried orange peel that has long since flown away into the ocean by the moon’s accord. There’s a nervous haste to my actions. A senseless, irrational desperation for something I know is transient, a bit too ephemeral, something better left in the past.

Base Notes:

The remains after the disintegration of the baked orange and soft cream. The brunt of the burnt metallic base note lingers and settles into my skin. It pockmarks the open gaping holes, an excess of chemicals sunken in because of my earlier desperate spritzes.  

I can smell it. I feel it sinking and carving a territory into my skin, and I thrust my inner elbow underneath my friend’s nose. Trust me, it’s there. But when they try to breathe the chemicals into their lungs, their nose denies its existence. I hunch my back and dive into the juncture of my elbow and inhale. It’s not there in my nose, but I feel it burrowing under my flesh. The pain triggers memory as a reliving and relieving of the process of the death of The Moon by Planetary Pull.

Erxi Lu

Erxi Lu is a graduate of Amherst College with an English and Economics degree. She wrote her senior English thesis about a Chinese-American woman who embarks on a journey to find happiness within white capitalist America. She loves experimental prose that pushes against the boundaries of language and wants to have continual involvement in the publishing industry.  

Hailey Renee Brown

Hailey Renee Brown (Ren) is a professional illustrator born and raised in Mid-Michigan. A former field biologist, they moved across the country from Michigan to Pennsylvania, also moving from science to commercial art. A professionally trained artist, they attended the Joe Kubert School of Cartoon and Graphic Art in Dover, NJ, where they were selected the recipient of the 2017 Norman Maurer Memorial Award as well as the 2019 Joe Kubert Jumpstart Project. They have since worked for a variety of clients from Dark Horse Comics and Dynamite Entertainment to the Brink Literacy Project.