Corrosive

I don’t believe in what the circus is trying to peddle. It’s always been smoke and mirrors, even when wonder and joy weren’t part of the charade. It’s obscene to spend any money on pleasure these days, but it’s Ivory’s birthday and she wanted to see the elephant. I try not to flinch when the animal emerges, all bones and sinew held together by piles of falling flesh. She squeals with high-pitched joy when the beast totters. I hoist her up in my arms and try to pretend this is the world I wanted to bring a daughter into.

When the showman pulls the elephant away, the crowds dissipate, trailing into the sideshow tents. “Mommy!” Ivory cries, squirming in my arms. I grab her hand right before she darts off, and she huffs, but pulls me at a more sedated pace.

“…than are dreamt of in your philosophy,” intones another showman, as we join a small cluster of people. The man steps to the side to raucous applause, and behind him, a curtain parts to reveal a dazzling and disturbing woman. Her eyes are the color of slate by a river, and her dark hair is braided down to her knees. But what stops my gaze are the rivulets of scar tissue, starting at the line of her lips and cascading down her front like a gauzy veil.

“I present,” the man announces, “Claudia! The woman who can drink rainwater!”

I frown. Smoke and mirrors, I remind myself. No one can drink rainwater, not anymore. The man hefts a bucket up by the handle, hauling it onto a platform.

“This water was collected during the last monsoon.” He plucks his glove off to show four fingers, the scarred joints stiff and unmoving. With no hesitation, he dips his index finger into the bucket. The crowd stands at attention. When he pulls the appendage out, the skin is red and raw, already weeping and starting to blister.

He smiles, though his lips are tight. “And now, Claudia will demonstrate her undeniable talent.”

Claudia’s smile pulls at the scar tissue on her face. She grabs the bucket between slender hands and hauls it up to her lips. I can’t stop my sharp inhale when she tips the bucket, thin trails of corrosive water pouring down her gullet and falling down her front. Even Ivory is stock-still against me.

The skin around her mouth begins to steam, as though she were hot metal and not flesh. She swallows, and when she opens her mouth wider, I spot the angry flesh inside, scoured and pockmarked.

When she finishes, she throws the bucket to the side like a plaything. And then she turns to face us, her slate gray eyes stark against the devastation of her skin. I want to scream. I want to cover Ivory’s eyes. But I can’t look away.

Smoke and mirrors, I remind myself.

Valentina Gomez

Valentina Gomez is an aspiring novelist with an educational background in psychology and creative writing. She is currently finishing a master's degree in Literary Editing and Publishing at the University of Southern California. Born in Medellin, Colombia, she was raised haphazardly between three countries but went to high school in Orlando, Florida. She writes about people and the ways they relate to each other, and her favorite kinds of stories are the ones that leave her wondering how it's possible that the characters didn't know each other at the beginning.

Hailey Renee Brown

Hailey Renee Brown (Ren) is a professional illustrator born and raised in mid Michigan. A former field biologist, they moved across the country from Michigan to Pennsylvania, also moving from science to commercial art. A professionally trained artist, they attended the Joe Kubert School of Cartoon and Graphic Art in Dover, NJ, where they were selected the recipient of the 2017 Norman Maurer Memorial Award as well as the 2019 Joe Kubert Jumpstart Project. They have since worked for a variety of clients from Dark Horse Comics and Dynamite Entertainment to the Brink Literacy Project.